Guitar Amp Classics make extensive use of advanced Yamaha modeling technology. Four amp types with completely different sonic characteristics are provided, CLEAN, CRUNCH, DRIVE and LEAD. Best of all, the version 2 update includes both a DSP-powered version* and a VST 3 version of Guitar Amp Classics. That's a big plus for any guitarist, as the whole recording process becomes more convenient and more flexible. Just record the dry signal while listening to your favorite amp sound without any latency using the DSP version. Once you're done, you can re-amp the recorded track with the VST 3 version, the Amp Simulator plug-in included with Cubase AI or any other modeling plug-in you like.

CLEAN
This amp type is optimized for clean tones, effectively simulating the tight brilliance of transistor amplifiers. The tonal character of this amp model provides an ideal sonic foundation for recording with multi-effects. It also features built-in chorus and vibrato effects.

CRUNCH
This is the amp type to use when you want lightly overdriven crunch tones. The CRUNCH model simulates the type of vintage tube amplifiers that are favored for blues, rock, soul, R&B, and similar styles.

LEAD
The LEAD amp type simulates a high-gain tube amp that is rich in overtones. It is ideally suited to playing lead guitar lines that will fit in well in an ensemble, but it can also be set up for crisp accompaniment tones as well.

DRIVE
The DRIVE amp type provides a selection of distortion sounds that simulate the tonal character of high-gain tube amplifiers. From mildly overdriven crunch to heavy distortion suitable for hard rock, heavy metal, or hardcore styles, this model offers a wide range of sonic capabilities.

Six amplifier types are provided. Types 1 and 2 feature relatively mild distortion that allows picking nuances to come through naturally. Types 3 and 4 have more pronounced overtones, resulting in a fat, soft tone. Types 5 and 6 deliver wild, aggressive distortion with a tight attack. The even-numbered amp types have greater presence and range than the odd-numbered types.

Standalone Cubase Groove Agent 4 and Positive Grid Bias FX have no problems in that regard. So, as it stands, I can't use AmpliTube 4 at all. Not in standalone mode because it refuses to use my audio interface's native ASIO driver and not as a VST plugin because I can't find the right files to drop in my host plugins folder. This could be a traditional mic-plus-DI recording, or you could use duplicate DIs and treat one with a virtual amp, such as Cubase’s VST Bass Amp. Although the EQ brackets focus each part on a specific range, there’s still some overlap, so start by checking the phase relationship of the two parts. BASS STATION Plug-In Originally launched in 1993, Bass Station’s flexible DCO oscillators and warm analogue signal path defined countless dance and electronic hits. Now a classic, its iconic sound is available as a software plug-in, carefully modelled to faithfully recreate the sounds of a monophonic, dual-oscillator analogue synthesiser.

Cerberus Bass Amplifikation is a three-channel bass amplifier Rack Extension/Plug-in that will deliver thundering lows straight from your computer. With it’s intuitive single screen interface whatever your playing stye is, pick or fingerstyle in any music you play, Cerberus Bass Amplifikation will provide the warmth and mellowness of tube amp, clarity and punch of solid-state power, or turn it up to destruction on the Drive amp type. For further tweaking, Cerberus Bass Amplifikation gives you tonal control through its compressor, contour control, parametric and graphic EQ, and D.I. wetness control. Carefully tuned and carrying enough power to rumble your studio.

Cerberus Bass Amplifikation also comes with features standard to Kuassa’s other amp products; noise gate, and dual cabinet miking modeler. In addition, the Rack Extension version features a handful of CV input controls, while the VST/VST3/AU/AAX version will have an external IR loader and a 3D miking interface.

Cerberus Bass Amplifikation: Take charge of the bottom frequency, directly from your DAW.

Key Features:

Cubase 5 Plugins

1) Launch Cubase/Nuendo, go to ‘Devices - Plug-in information - VST 2.x Plug-in Paths’ and check if the correct location is added. The default location is: ‘Library/Audio/Plug-ins/VST/’ 2) Back to 'Devices - Plug-in information” and make sure that BIAS Amp is in the list and the check box is ticked. On the Configuration page, you can specify whether you want to use VST Amp Rack in stereo or in mono mode. To process the pre-effects, the amplifier, and the cabinets in full stereo mode, make sure that the plug-in is inserted on a stereo track, and activate the Stereo button. But a passive bass like a P-bass needs a higher impedance than a standard line input has (10k-50k ohms) to run into if you want to keep the top-end intact; ideally 500k ohms+ (and 1Meg ohms is the standard quoted input impedance for most amps), so a pre-amp or even a buffered effect pedal in bypass will preserve the high end if you don't have a.

Vst For Cubase

Check out the Ingnite Amps SHB-1, it's an amp head and you can use impulse cabs with it. SHB-1 by Ignite Amps - Bass Amp VST Plugin and Audio Units Plugin I really like that one. The TSE BOD is really good too TSE Audio - Software Another one is the Slap Passion Download Free Tube bass preamp plug-in: Slap Passion by Ronald Passion.

Cubase Vst Free Download

• 3 Amp Types.
• Bulit-in Compressor, Noise Gate and Output Limiter.
• 3 types of matching cabinets, 6 microphones and Direct Mix.
• Freely adjustable dual-miking configurations with mono/stereo options simulation a real-life bass guitar recording session.
• Flexible tone-shaping capability with Contour, Semi-parametric EQ, and Graphic EQ.
• CV input controls for various parameters (*Rack Extension Version exclusive)
• External IR loader and move your microphones in 3D space (VST/VST3/AU/AAX exclusive)
• Straightforward and easy to use graphic interface.
• Supports up to 96000Hz Sample Rate.